Unlike “hypnosis”, it makes good use of its length, moving between a number of different textures, avoiding the lead song’s repetitive feel. So, despite a bumpy start, the song gets better as we move through it, and by the three-minute mark, it’s a clear improvement over the previous two.
The feel of the song consolidates with the excellent passage starting 2:07, which tightens the music and sets up the next verse. Sakurai-san’s vocals at the start of the song are a bit harsh, but settle in better after the first minute. The album started off on a weak foot, but this song was more of a known quantity for me, so I guess it was somewhat comforting to be on firmer ground.
I’ll have to confess, though, I’ve never liked this style of music. a lounge singer act? Anyway, I get the sense that they wanted to have some fun, and this is definitely a more relaxed song in sharp contrast to “hypnosis.” But it’s not well-suited to Sakurai-san’s voice, and the strain there flies against the light-hearted feel of the song, so that it doesn’t quite work out. I’ve said it before, and it still reminds me forcefully of Las Vegas. By the time it comes out late in the song, though, the music underlying his voice already feels tedious. On the bright side, Sakurai-san’s voice clearly displays its piercing quality and passion. There’s nothing about it that jumps out and attracts the listener’s attention. While it could work as a six-minute song elsewhere in the album, it was two minutes too long for the opening song. up to the four-minute mark, where I would have ended it. This is a slow and steady start to the album, and a good one. The opening to this song has an epic feel, but the song soon settles down into a gentler melody. I don’t consider myself the ultimate arbiter of taste, and would be interested to hear other points of view.
Another mind mr children free#
If you have a different opinion, though, feel free to contribute in the comments below, especially if you disagree with me. I have to say that I was more favorable on the first listen, and steadily grew patient with the album after subsequent times, for reasons that will quickly become clear. I listened to the album a number of times before writing this review, and while my opinions have definitely changed from my first listen to my most recent, I think they’ve settled down and won’t be likely to change going forward. In other words, I’m looking for a chai latte. The question for me, then, is whether we’ll get a good balance of warmth and edge which spices things up.
He usually crafts lyrics to match, but I will be reviewing the album without regard to the meaning of the lyrics. Sakurai Kazutoshi-san, the group’s lead singer, guitarist, and main songwriter, has an edge to his voice that can strike deep. While all of that remains true of this album, that’s never been all there was to Mr. It’s perfectly straightforward in its approach. Rather, the music is embracing, warm, and heartfelt. There’s no attempt to cater to some niche or fad. Picking one word to describe their music, I’d probably go with “universal”. I could mention all sorts of big numbers, but perhaps the most present one is that the two top Japanese albums of the year are their two compilation albums – one covering 2001-2005 and the other 2005-2010 – each selling over a million copies.
Children even though they’re the biggest rock band in Japan? I guess it’s because I don’t cover them much, since they aren’t television denizens who frequent variety shows.
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